Grateful Dead 1973 Nassau Poster Full Size Artist Edition Hand Signed David Byrd

Description

Grateful Dead Poster 1973 Nassau Coliseum New Full Size Giclee Print Signed in pencil by original artist David Edward Byrd
"This poster was created for Bill Graham after the Fillmore East had closed. As The Dead was a famous boogie band, Bill wanted to do a dance concert with them on the East Coast, something he did every night in San Francisco, but could never do at the Fillmore East as it was a traditional sit-down auditorium. So, he removed all the seats from the huge Nassau Coliseum on Long Island so New Yorkers would be free to Boogie! To his shock and dismay he discovered that NY audiences want to sit and listen, maybe stand in their seats, but never dance. Hey, where'd all the seats go? It was a swell time anyway!" - David Byrd
Size: 14" x 22"
In Mint Condition
David Byrd certainly has a secure place in rock poster history. But along the way, he has made dozens of highly memorable, iconic poster images for not only the Fillmore East (where he was the only staff poster artist), but for Broadway shows such as Follies, Tommy, Jesus Christ Superstar, Godspell, Little Shop of Horrors and many, many more. He was also a key designer for the Harry Potter franchise.
Gorgeous giclee print on ultra-premium matte printing stock
Annotated and signed in pencil by Illustrator David Edward Byrd
Sized right for economical framing.
A beautiful Grateful Dead poster which would great in any Dead fan's home.
The perfect gift for your favorite Grateful Dead fan.
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About David Byrd:
D
avid Byrd
has been creating iconic images for rock’s most legendary artists and tours for over five decades. And that's not even mentioning some of Broadway’s most memorable show poster designs. He has also created fantastic set designs and style guides for some of the most successful movies in history. Rarely has any commercial illustrator amassed such an impressive body of work. In addition to his famous Woodstock, Jimi Hendrix and Rolling Stones Tour artwork, Byrd has been a wonderful and prolific illustrator of all types of art. Over parts of six decades, Byrd was especially active in the Broadway show arena, having done the art for
Little Shop of Horrors, Jesus Christ Superstar
and many other Broadway show pieces.
In early 1968, at the recommendation of art school chums who were running things for Bill Graham at the new Fillmore East in Manhattan’s East Village, David Byrd signed on as the exclusive poster & program designer, and between 1968 & 1973 he created posters for Jimi Hendrix, Jefferson Airplane, the Who (for their rock opera Tommy); Traffic, Iron Butterfly, Ravi Shankar and the Grateful Dead. In 1969 David created the original commemorative poster for the legendary Woodstock Festival until it was replaced by Arnold Skolnick’s famous design because the location changed! • That same year David Byrd created the graphic for the Rolling Stones 1969 Tour that tragically ended at Altamont. It was also in1969 that David began his career as a Broadway poster designer.
Over the next 20 years David would do many Broadway & Off-Broadway shows including Sondheim’s
Follies, Godspell, Jesus Christ Superstar, Little Shop of Horrors, Steel Magnolias
and
The Cocktail Hour.
He also did the poster for Beverly Sill’s farewell performance (in
Don Pasquale
) at the Metropolitan Opera.
Beyond the stage, Byrd & his Yellow Studio created book covers for most of the major publishers, album covers for most of the major music companies, and many advertising illustrations for Madison Avenue • In 1973 he received a Grammy Award for album design along with several other prominent illustrators for The Who’s Rock Opera Tommy.
In 1980 he came to Los Angeles to work on the Van Halen World Tour with tour designer Chip Monck and Van Halen manager Noel Monk, both of whom he had worked with at the Fillmore East and Woodstock Festival. He decided to stay in Los Angeles where he subsequently did posters for dozens of local venues. From 1984 to 1986 he was Art Director of the national gay news magazine The Advocate. Beginning in 1978, David did regular covers for TV Guide, creating portraits for
Cagney and Lacey, Murder She Wrote
,
Battle Star Galactica, Family Ties, Robert Conrad, the 1988 Winter Olympics, the Fall Preview,
and
Prince Charles & Princess Diana.
In 1985 David created Byrd/Beserra Studios with his partner and fellow-artist Joe Lino Beserra, whom he met shortly after working on the Van Halen Tour. Together they designed a classic poster of the Pan Pacific Auditorium for the American Cinematheque; all the art for the board game Past Lives; art for the Franklin Mint Special Edition of the board game Clue; as well as backgrounds for an animated Sprint commercial • In 1991, he took the position of Senior Illustrator at Warner Bros. Creative Services, which he held for exactly 11 years • Besides creating illustrations, backgrounds and style guides for all the Looney Tunes & Hannah-Barbera characters, David got to create commemorative plates for the Franklin Mint, souvenir posters for the Batman series of films, and style guides for feature films such as Space Jam and The Wizard of Oz, television shows such as Friends and Scooby Doo, and the Cartoon Network • His department was responsible for the Bugs Bunny postage stamp—the first cartoon character on a U.S. stamp—and all the subsequent Looney Tunes stamps.
During his final three years at Warners, David worked on the Masterpiece style guide, creating a series of paintings based on originals by Degas, Picasso, Magritte, and Toulouse-Lautrec, among others. But most of that three years was spent working on the Harry Potter style guides, for which David did hundreds of drawings of everything from Diagon Alley to the Hippogriff.
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_gsrx_vers_301 (GS 5.3.1 (301))